A group of teenagers decide to take a vacation at the beach house of one of their fathers. The kid whose father owns the house just happened to accidentally kill his mother when he was a child. When they get to the house, the father has mysteriously disappeared.
Charles Dexter Ward's wife enlists the help of a private detective to find out what her husband is up to in a remote cabin owned by his family for centuries. The husband is a chemical engineer and the smells from his experiments (and the delivery of what appear to be human remains at all hours) are beginning to arouse the attention of neighbors and local law enforcement officials. When the detective and wife find a diary of the husband's ancestor from 1771 and reports of gruesome murders in the area begin to surface they begin to suspect that some very unnatural experiments are being conducted in the old house. Based on an H.P. Lovecraft
Roberto, a drummer in a rock band, keeps receiving weird phone calls and being followed by a mysterious man. One night he manages to catch up with his persecutor and tries to get him to talk but in the ensuing struggle he accidentally stabs him. He runs away, but he understands his troubles have just begun when the following day he receives an envelope with photos of him killing the man. Someone is killing all his friends and trying to frame him for the murders...
在隔离的索马福里精神诊所的围墙后面,哈尔.莱格兰医生正在试验他的“心理治疗法”。这是一种用来释放病人压抑的情绪有争议的治疗方法,他把他的明星病人娜勒隔离起来,但是当她在治疗过程中变得愤怒的时候,愤怒杀手加害了诊所外面的无辜的人们,莱格兰的方法和这些恐怖的谋杀之间有什么关系?答案将释放新的绝对的恐怖! 国际影坛最富争议性、最成功的导演之一。一九七五年的处女作〈THEY CAME FROM WITHIN〉,以及之后的〈RABID〉,〈VIDEODROME〉都是恐怖片,一般公认这些作品都隐含了丰富的社会议题。柯能堡是加拿大人,善于探讨虚幻与现实,以及外力对这一切造成的影响。新片〈X接触-来自异世界〉结合紧张的动作场面,以及幻想与现实模糊的界限,是柯能保截至目前最有野心、最挑的作品
The life of the writers of a television program in Uruguay is affected by the pressures of the military in the year that preceded the military coup of 1973.
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imd