马赛洛(让·雷诺 Jean Reno 饰)是小镇上知名的好好先生,可命运待他却不厚道,在孩子去世之后,深爱的妻子也患上了不治之症。悲伤过后,马塞洛决定振作起来,他要完成妻子的遗愿——在死后能够葬在孩子的墓地旁边。可是土地珍贵,唯一的墓园里只剩下了三个空位,如何入驻成为了马塞洛目前所要面临的最大难题。 在诸多可以选择的道路面前,老实的马塞洛选择了最艰难的那一条,那就是避免小镇上的任何人赶在自己的妻子之前去世。为了保证小镇居民的生命安全,马塞洛可谓是用尽了十八般武艺,他就像救人于水火之中的超人,哪里有灾难,哪里就有他。幸运的是,在帮助他人的同时,马塞洛也得到了属于他的救赎。
亚瑟(肯·斯托特 Ken Stott 饰)是一位成功的资本家,在不久之后即将加官进爵。希拉(克洛伊·皮里 Chloe Pirrie 饰)是亚瑟的女儿,这位单纯善良的千金小姐在家宴中接受了男友杰拉德(凯尔·索列尔 Kyle Soller 饰)的求婚,两人喜结连理,亚瑟和妻子对这门亲事显然十分满意,而希拉的弟弟艾瑞克(芬恩·科尔 Finn Cole 饰)却显然并不怎么高兴。 就在一家人欢聚一堂之时,一位不速之客的到来让五人倍感警惕。来人自称警局的探长(大卫·休里斯 David Thewlis 饰),前来为一起女工自杀的案件调查取证,而这位名为伊娃(苏菲·兰道尔 Sophie Rundle 饰)的可怜姑娘曾经在亚瑟手下的工厂里干过活,并且因为领导罢工而被亚瑟开除。亚瑟并不认为自己应该为伊娃的死负什么责任,而随着时间的推移,众人渐渐发现,在这间狭小的房间里,无论是有意或无心,每一个人都是罪人。
In a small village, Leo, 17 years-old, has a strong taste for make-up. His big brother, Jules, who fears to be laughed at, stands against this passion. On the night of the open stage, Leo shows up in full drag...
A hit man in black struggles into an apartment complex. It turns out that the apartments are hosts to a cornucopia of characters. A couple are about to separate or play baseball. A woman maintains a schedule of screaming in order for the neighbours to ascertain that she is alive. A mother just wants to have fun. A daughter just wants to obtain high marks and then someone walks on the roof looking for a UFO to act as a taxi.
This is a brilliant surrealistic film. But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities. The contrast between two realities the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art. Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war. And, the tragedy finishes the artistic ideals are dead, international art brotherhood also, but, as a real disaster Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too. So, the art falls apart