Jennifer Shannon (Lori Loughlin) has a gift for finding rare treasures hidden in garage sales that she can resell at her consignment store, Rags to Riches. But her keen eye for finding valuables also gets her involved in the criminal investigations that happen at the very second-hand sales she frequents. When Jennifer's friend and self-storage facility owner Martin (Michael Kopsa) turns up murdered-just hours after auctioning off an abandoned storage unit full of unique items to Jennifer-she is immediately pulled on the case as a key eyewitness. Working with Detective Lynwood (Kevin O'Grady), Jennifer helps single out a disgruntled customer as the prime suspect, while she and her business partner, Danielle (Strange), sift through boxes from the auction. As her husband Jason (Bacic) worries about her safety, Jennifer starts to get over her head when there is a break-in at her store, and a run-in with Martin's angry wife. Then, Jennifer and Danielle discover their new merchandise contains the sparkly evidence they needed all along to nail the surprising real culprit, and they must race to save a life-and put their own on the line.
David, a university professor, takes to social media to criticize his city’s administration. But instead of the mayor’s dodgy dealings being investigated, David is himself accused of embezzlement and placed under house arrest. Despite the overbearing surveillance, double-crossing acquaintances, and growing media interest, David remains defiant and will not apologise. With the court case drawing ever nearer, does David have any hope of winning this battle against Goliath
A Man lives in his car. He is 40 years old and although he does not have a lot of free time, when he does, he chooses to spend it with his family. He meets his wife and two children at a specified day and time in car parking lots. His job is to locate and bring the finest honey to a 50-year old man. A New Driver shows up and the Man gets fired. The Man’s life changes and he finds it absurd that no one trusts him anymore.
Jennifer Shannon can always find a diamond in the rough, when it comes to garage sales, that is. Whether it's a new antique to sell at her consignment shop, an Atari game for her son or a piece of furniture for her handy husband Jason to refurbish, she has made a career out of her treasure hunting prowess. When a string of burglaries hits her town, Jennifer's keen eye for detail and her natural problem solving instincts even help her see the connection between these burglaries and local garage sales! Jennifer works with Detective Adam Iverson to investigate her theory that the perpetrators of the burglaries are fellow garage sale regulars. The case escalates to dangerous levels when Jennifer discovers the dead body of her friend. Even though the deceased's husband, Ben Douglas, finds nothing missing in their house, and the police label the death as accidental, Jennifer suspects that the death may be related to the burglaries.
麦克斯（亚历克斯·D·林兹 Alex D. Linz 饰）是一个可爱的12岁男生。作为一个男孩，麦克斯的日子并不好过，在学校里，他是那些嚣张跋扈的校园混混们欺负的对象，与此同时，校长似乎也看他不顺眼，总是找他的麻烦。麦克斯的整个学习生涯都被冠上了“傻帽”的绰号。 父亲宣布了一个让麦克斯感到兴奋无比的消息，他们将举家迁往芝加哥，开始新的生活。对于麦克斯来说，这意味着他可以好好的报复一下欺负过他的人们，然后拍拍屁股走人，不用承担任何的后果。就这样，麦克斯开始了他的复仇计划，并且捷报连连，就在他心满意足准备离开时，父亲告诉他，他们的搬家计划取消了。
Hampus and Adrian's relationship has gone down increasingly destructive paths and during one fateful discussion it all ends. Hampus and Adrian are no more, but in some way they have to go on living. A healing process divided into stages of desperate attempts to reunite as well as rebounds, which sometimes push them further apart and sometimes closer together.
The Speed Sisters are the first all-woman race car driving team in the Middle East. Grabbing headlines and turning heads at improvised tracks across the West Bank, these five women have sped their way into the heart of the gritty, male-dominated Palestinian street car-racing scene. Weaving together their lives on and off the track, SPEED SISTERS takes you on a surprising journey into the drive to go further and faster than anyone thought you could.
Coming as it does from the depths of the Stalinist regime, the Russian Road to Life is a remarkably optimistic film. A host of nonprofessional children are cast as Moscow street kids, left homeless by the Bolshevik revolution. They get into all sorts of melodramatic scrapes until they're rounded up by kindly, altruistic Soviet functionaries. The children are reformed (in the nicest possible way) and made useful members of society. Road to Life is simplistic in its solutions to society's problems, albeit no more so than the usual Hollywood product from the same period.
