Shakespeare once said, "what tangled webs we weave", and this is the through-line of On the Fringe of Wild. Peter is a young gay man whose father is trying to make a man of him by taking him camping. He is also a talented artist who uses drawing to escape his life and hopes to get into a prestigious art school. He is being bullied by almost everyone at school, especially the popular boy Miles, who himself is closeted and using a tough guy image and a girlfriend on his arm as his defense from being found out. Miles is having a secret affair with Jack, a very insecure young man living in constant fear of his very violent and abusive alcoholic father. When Jack and Peter each escape their living situations, a chance encounter will change their lives forever as the two set up a temporary home free of the bigotry and violence they have endured. As they become close and try to be their authentic selves, Jack can no longer take the forces that are trying to tear them apart, leading to an ending that is incredibly difficult to accept but all too often a reality for many LGBTQ+ youth.
Paris, 1887. Duels have been officially outlawed but are still regular practice. For many, they are the only way to defend their honor. Fencing master Clément Lacaze tries in vain to prevent his nephew from engaging in an uneven duel with the more experienced Colonel Berchère. Marie-Rose Astié de Valsayre, a feminist fighting for women’s equality, tries to show that honor is not just a male affair. Actor and director Vincent Perez’s historical film makes excellent use of various forms of duels
– with épées, pistols, and sabres on horseback.
Surgeons at Addenbrooke's Major Trauma Centre must operate on a single mum who has a severed spinal cord and a critically injured motorcyclist.
Surgeons at Addenbrooke's Hospital perform brain surgery on a patient who is awake and attempt to repair a section of the body's biggest blood vessel that's threatening to burst.
Surgeons at Addenbrooke's operate against the clock to re...
Cameras follow surgeons, anaesthetists, theatre staff and patients at the Queen Elizabeth Hospital Birmingham's surgical unit, where surgeons push medical boundaries to the limit.
Documentary series going beyond the theatre doors of Queen Elizabeth Hospital Birmingham, where surgeons push medical boundaries to the limits.
Every Second Counts
Surgeons have just minutes to perform life-saving emergency trauma operations.
Getting Better
A surgeon removes a woman’s oesophagus and uses her own stomach to replace it.
A New Beginning?
At Birmingham Children’s H...
故事发生在一支名叫 Louis Lester的爵士乐队中。杰西（安琪儿·库碧 Angel Coulby 饰）是乐队中的首席歌手，她拥有着迷人的嗓音和浓浓的异域风情，就连乔治王子（John Hopkins 饰）和威尔士王子（Sam Troughton 饰）都无法阻挡她的魅力深深为其倾倒。然而，表面乐观开朗的杰西却隐藏了一段悲伤的童年往事。 朱利安（汤姆·休斯 Tom Hughes 饰）出生于名门望族，从小就过着养尊处优的生活，自然养成了高傲乖僻的性格。朱利安为美国大亨马思德森（约翰·古德曼 John Goodman 饰）工作，而马思德森是 Louis Lester乐队的“忠实粉丝”，因此，朱利安得以结识了杰西，并且深深地为她而着迷。慵懒的音乐，摇摆的身姿，裹挟着一段感情慢慢流淌着。
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