Advertising executive Holly walks by the same holiday window every day on her way to work featuring the perfect man(equin). When a fateful icicle knocks her out. The fake window man becomes the man of her dreams. Then she discovers that though his looks are perfect, his personality is still…plastic.
Chosen Family sees Ann, a yoga teacher trying to find inner peace despite the fact her family is manic, and whose dating life is miserable. Ann doesn’t know how to say no and finds herself fixing everyone’s problems. Struggling to repair her estranged relationship with her sister Clio, Ann relies on her friends Roz, Max and Frances to be her rock and guide her through life’s tr...
Two would be killers get more than they bargained for when dead bodies turn up at a warehouse that they've never encountered before. As their work day drags on, they start questioning each other, and are driven to sci-fi madness.
A young girl discovers that her father has run up huge debts, when debt collectors take their house. In one day, Jindřiška must decide whether to help her father, or save herself before it's too late.
It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’.
Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.
On the brink of their beloved single screen independent movie theater being shut down forever, a misfit band of theater workers face the corporate evil, foreclosure and the unthinkable...having to decide what they want to be when and if they ever grow up. Concessionaires Assemble!
A young girl discovers that her father has run up huge debts, when debt collectors take their house. In one day, Jind?i?ka must decide whether to help her father, or save herself before it's too late.
本片以充满腐败和欺骗的世界为背景,聚焦于唐纳德·特朗普(塞巴斯蒂安·斯坦 Sebastian Stan 饰)在上世纪七八十年代在纽约发展房地产业务的过程,还将挖掘他与臭名昭著的律师罗伊·科恩(杰瑞米·斯特朗 Jeremy Strong 饰)的关系。这是一个老师和学生的故事,讲述了美国一个重要资本大亨的起源。